Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Sunday, October 20, 2013

The Fly 1958 and 1986

The original movie, The Fly, was adapted from a short story written by George Langelaan. It appeared in Playboy in June of  1957. The original movie came out in 1958, the remake in 1986. Howard Shore composed an opera inspired by the plot of the remake.
By OCAL at clker.com


 There were two sequels: Return of the Fly in 1959 and Curse of the Fly in 1965. This is quite a feat for a short story if we think of it as having a persona. Quite a bit of attention given to the story and creative energy expended beyond and including Langelaan's spark and flame.

This is the plot: A dreadful accident ensues when a scientist played by Vincent Price tries out his new invention: a teleportation  apparatus. Jeff Goldblum plays the scientist in the 1986 version.

The Rotten Tomatoes tomatometer scores the 1986 version at 91%.


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Friday, October 18, 2013

Why Do People Love Horror Movies?

People crave excitement and a scare that isn't real. The audience tends to be younger people with a sprinkling of older folks. Older people have enough experience with reality as a scary thing and tend not to be as interested in horror movies.

People that like horror films want the adrenaline ride whether on a motorcycle, skydiving or through a vicarious scare. Stephen King promised in Dense Macabre to dish out the fear. He wrote that "terror is the finest emotion, and so I will try to terrorize the reader."

This quote of Jean Lorrain may be of interest. "The charm of horror only tempts the strong." Guys that feel strong with their girlfriend hugged close to them while viewing a macabre movie would probably agreed with Lorrain.

But the psychology of the movie scare, the house of horrors at the fair, the spooky hay ride or the trip to the local, out of the way, old dilapidated house that has a reputation as haunted is a limited and safe fright event.

If these things jerk a scream out of a brave guy or gal at least they're brave enough to go and experience it, right?

Research suggests that beyond the yearning for excitement, people like horror movies because they can struggle with intense emotions, and it tends to be more a male thing, so they can prove in a group that they can handle it.

Then again, Stephen King in "Why We Crave Horror Movies" says that he believes we're all "mentally ill."


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Monday, October 14, 2013

House of Horrors, Mobile, AL

The House of Horrors has become a tradition during the Halloween season. It's been around for 14 years. The staff advise that they don't recommend it for children less than 12 years old.

There are 3 ticket types:

  1. regular $12.00-for House of Horrors only
  2. combo $20.00_ H. of H. and the Maze
  3. maze $12.00
 It is open from 6:00 pm to midnight and the site is at the Springdale Mall

Go here for more information: information

Tuesday, October 8, 2013

World War Z, 2013 : Brad Pitt: Marc Forster

This film is an adaption of the novel by Max Brooks. It departs from the book. It becomes an action film with the hero against almost unbeatable odds theme that Hollywood is so fond of.

Gerry Lane (Brad Pitt) is an employee at the United Nations that goes over the world searching for a method to halt the rampant zombie attack. He must stop the annihilation of the world. Can't you almost hear an evil genius laughing about now? Except this is about zombies. Anyway...

Main Actors

  •  Brad Pitt
  • Matthew Fox
  • Mireille Enos
  • James Badge Dale

Marc Forster directed the film and  Brad Pitt, Dede Gardner,  Ian Bryce, and Jeremy Kleiner produced it. The screenplay was written by Damon Lindlof, Matthew Michael Carnahan, and Drew Goddard.

So a novel that  is written as an oral history about the zombie wars is turned into a fast action, horror, science fiction, thriller flick. Well, in depth thought is hard to portray on screen for long periods of time and keep the audiences attention. Can anyone say short attention span?

World War Z trailer ...



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Wednesday, September 25, 2013

Tales of Fear: EC Comics: Bill Gaines


Tales of Fear is a flick hitting the big screen on 10/31/13. This movie is a tribute to the EC Comics style of story telling and comic art  in the 1950's. Bill Gaines took the helm after his father's death and cranked out profitable tales that got him into trouble and a congressional hearing.

The anthology of six stories runs the gambit of classic horror plots: mad scientist working on reanimation, child killer, weird something hidden in a barn, a hunter gets more than he expected, a woman wonders what's happening next door, and more.

It is a State of Mind Production which is an independent film company out of St. Louis. Corey Logsdon directs this contemporary infusion of classic horror fare. Watch out for a big fright.

 


Tales of Fear Trailer


Lamp in the Night Mug

This is the image that is wrapped around the mug.

Lamp in the Night1
Lamp in the Night  by Deltachord-All Rights Reserved

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Tuesday, September 24, 2013

What's in a Name? Dracula Untold

The first title Dracula: Year Zero, converted to Dracula, is reborn to Dracula Untold. This redo is scheduled to hit theaters 10/4/2014. It elucidates the origins of  Dracula.

This is the star lineup: Luke Evans as Dracula, with Thor Kristjansson, Sarah Gadon, Samantha Barks, Dominic Cooper, and Art Parkinson.

The story is a mesh of Stoker's classic horror  novel, sort of, and Vlad the Impaler a historical figure that Stoker used to dream up his character.

This project is Gary Shore's first effort at directing a film. The screenplay was written by Burk Sharpless and Matt Sazama.

 Okay, Dracula fans, let's see what's up.

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monsters

Saturday, September 21, 2013

Blood Kiss:

Blood Kiss


 Michael Reaves wrote an exciting story for vampire and noir fans. His startup capital, attained at KickStarter, jumped the project into action. It's foreseen completion date is in 2014.

The story unfolds in Hollywood's Golden Age. It's a vampire story replete in noir ingredients like a vamp, night setting, and the flatfoot. Joe Belicek takes the challenge to solve a vampire murder, but the hard boiled detective isn't a believer in the mythic creatures. The demented killer must be stopped before he gets their power. Our 1940's gumshoe runs amiss angering vampires and some Hollywood studio people.

Neil Gaiman, comic book writer of note and Amber Benson of Buffy The Vampire Slayer  fame are starring in the flick. Amber plays a popular diva that contracts Belicek for protection. He falls in love, afterwards unearthing her shadowy secret. Gaiman's character is an idiosyncratic Hollywood director.

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Wednesday, October 12, 2011

Strange Case of Dr Jekyll and Mr Hyde: Novella and Movies

Stevenson
 In 1886, Robert Louis Stevenson published Strange Case of  Dr. Jekyll and Mr. Hyde. It is usually known as The Strange Case of Dr. Jekyll and Mr. Hyde. It tells the tale of  Dr. Jekyll as seen by Mr. Gabriel John Utterson an attorney friend of Dr. Henry Jekyll that scrutinizes the odd manifestations betwixt the malevolent Mr. Hyde and Utterson's friend.

 Summary

The theme of this novella is the fight between good and evil, although some have redacted the theme to concern a split personality. This modernest approach belies the moral theme, though it is clear that Dr. Jekyll and Mr. Hyde are morally polar opposites. Stevenson had been pondering how to write a good story about the theme of good and evil for years. As a youth he penned Deacon Brodie; it is a play script about a deacon that has a secret life of thievery.

Utterson becomes concerned, after a relative tells him a story about Mr. Hyde and then Dr. Jekyll  abruptly redoes his will, so Mr. Hyde is the beneficiary of his estate. Gabriel Utterson is very leery of this change. He decides to investigate and see what is really going on. He noses around and locates Mr. Hyde. Utterson gets the creeps around Mr. Hyde, but quizzes him over the change in Dr. Jekyll's will, though Hyde is steadfast in his evasion of the truth.

A year passes and Mr. Hyde callously punches a man to death. The maid sees this incident and fingers Mr. Hyde. A man hunt ensues for the murderer, but they can't find him. Time passes, Dr. Landon become very sick from shock of knowing about Mr. Hyde.

Dr. Landon gives up the ghost leaving behind inscrutable documents with instructions to Utterson to open them upon Dr. Jekyll's death or if he vanishes. Utterson keeps visiting Dr, Jekyll, but he won't see him and Jekyll becomes a recluse.

Upon an evening, the butler of Jekyll decides to go see Utterson. He is vexed about Dr. Jekyll and thinks something is terribly wrong with the doctor, or dirty work has been done against his employer. He talks Utterson into going to Jekyll's home once more to invade the doctor's laboratory, and they discover Mr. Hyde laying deceased on the floor. They don't find the doctor.

Utterson takes the documents that reveal the truth of the mystery. Dr. Jekyll took an elixir to transmute into Mr. Hyde who became the embodiment of evil, and this transformation allowed the good doctor to indulge in various evil deeds, whereas he formerly spent a lot of time doctoring the poor for free.

Poster 1880's

Jekyll and Hyde Movies

This novella was among the first books that were fashioned into a movie. In 1912,  Blackhawk films adapted it for the screen. In 1920, Paramount released Dr. Jekyll and Mr. Hyde, and three more film adaptions came out that year. The Paramount version starred John Barrymore, the renowned stage actor. This film inserted a music hall damsel into the story and made Dr. Jekyll much younger.



There are at least twenty movies based on the novella and many movie derivations like Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953), Dr. Jekyll and Sister Hyde (1971) in which the doctor mutates into a woman, and slasher fans can see Daughter of Dr. Jekyll (1957). The Nutty Professor is another version in which a cockamanny professor transforms into a cool dude. The estimate goes as high as 50 interpretations of Stevenson's  novella.

The physical aspects of the two main characters have been reversed in a couple of movie adaptions: The Two faces of Dr. Jekyll (1960) and Dr. Heckyl and Mr. Hype (1980). In the two faces version, the doctor is hairy, badly dressed, ill-mannered and rude, while Hyde is dressed well, well mannered, and urbane and in the hype version the doctor is unattractive and Hype is handsome.

Original Title Page



The versions and adaptions are growing as time passes because the tale's original theme lends itself to reconstructions, parodies, and adaptions, as the novella is rich in its use of a universal theme.

10 Interesting Trivia Points About the Story, Watch Video

The picture of Stevenson is public domain covered under {PD-US} – published before 1923 and public domain in the US. All picture or prints used are in the public domain.

Strange Case of Dr Jekyll and Mr Hyde and Other Tales (Oxford World's Classics)

Jekyll & Hyde - The Musical

Dr. Jekyll and Ms. Hyde

The Strange Case of Dr. Jekyll and Mr. Hyde (Blackstone Audio Classic Collection)

Tuesday, October 11, 2011

Samhain: All Saints Day: Halloween: Black Plague: Ars Moriend

Halloween comes creeping up this month. But what is the origin of this holiday? Its roots go back to the Celts; this group of people has an antecedent in the Hallstatt culture of central Europe according to a widely held archaeological construct.

Historically, Celtic tribes spread from Europe into Western Europe and on to the British Isles. They preserved their cultural heritage with oral tradition, though Greek and Roman writers eluded to them. Later, in the 4th century A.D. they developed a way of writing called ogham.

Their culture also produced their own holidays and used their particular calendar. Our November 1st had its own designation on the Celtic calendar; it began their new year and winter. During this season, they celebrated the Samhain festival.

The Celtic people thought that the dead souls became animate and rambled around amongst the quick or living people at this time, as they journeyed to the afterlife. Ghosts, elves, and goblins were thought to return for harm. The Celtic priest fired up large fires made with oak branches, thought to be sacred. The priests protected the people with these fires and burnt animals and crop sacrifices. The folk extinguished the fires in their abodes. There were variations on theses practices in Ireland, Scotland, and Wales.

Some Roman traditions were incorporated into Samhain postnate to conquering the British Isles in 43 A.D. such as the October festival of Feralia which honored the deceased and the festival of harvest or Pomona celebrating the goddess of fruit. Possibly, apple bobbing became part of Halloween because of Pomona. The Romans also liked apple cider and the Celts incorporated it into their celebrations.

When Christian missionaries came to the British Isles to convert the Celtic people, they strived to eliminate the pagan religion and its holidays. But All Saints Day originated to honor the Christian martyrs killed by the Romans during the latter days of their empire. Local congregations acknowledged the martyrs of their area. It had become a standard feast in Antioch by the conclusion of the 4th century. This feast is referenced by St. Ephrem in a sermon of 373 A.D. Originally, this feast day was observed  during the Easter season. In the 8th century A.D. Pope Gregory the Third changed the feast date to the 1st of November.

This pagan holiday and the Christian feast were blended together by the church trying to rid the converts of pagan ideas and influences and yet get them converted. Since part of the pagan festival was on November 1st these celebrations were melded as Gregory the First told his missionaries "engage " the traditions of the people in order to facilitate their conversion.

This reality of death that we face was ritualized in the Celtic ideas and the death of the saints has been observed by the Catholic Church and other orthodox traditions. People dealt with death through religion and art more than we do today.

The Black Plague has surfaced through the centuries, even before the Middle Ages. This finger of death wiped out 25 million folks from 1346 to 1352. It snapped its ugly fingers and wiped out millions more from the 15th to 18th centuries. It started in China during the 1330's and through trade ships traveled to Italy in 1347.

Boccaccio an Italian poet aptly defines the symptoms of the Black Plague in Decameron speaking of the swelling of the lymph nodes and other symptoms. He described the macabre nature produced by this disease too.

“How many valiant men, how many fair ladies, breakfast with their kinfolk and the same night supped with their ancestors in the next world! The condition of the people was pitiable to behold. They sickened by the thousands daily, and died unattended and without help. Many died in the open street, others dying in their houses, made it known by the stench of their rotting bodies. Consecrated churchyards did not suffice for the burial of the vast multitude of bodies, which were heaped by the hundreds in vast trenches, like goods in a ships hold and covered with a little earth.”

This atmosphere of continual death had men going through the streets with carts crying "Bring out your dead." It influenced the written and visual arts and music. One result in the visual arts of the Black Death was the Ars Moriendi, which means The Art of Dying. These books were produced in the historical background of the plague and its effects on society. It was adapted to several languages in Europe. It started the genre of how to die treatises. There is one existing copy of the long version with illustrations and 299 without the prints.

The short form of Ars Moriendi had 11 woodcuts that explained pictorially and could be used to explain The Art of Dying. The focal point concerns the Last Rites of the Catholic Church for a Medieval Christian. The woodcut below is depicting Pride, which is said to be a temptation among five that assaults a dying person. The man in the picture is assaulted by demons trying to get him  to accept crowns. This is an allegorical allusion to pride popular in Medieval Art. Jesus, Mary, and God the Father are  in the scene watching. ( circa 1460, Netherlands)





The Dance of Death is a woodcut by by Hans Holbein done prior to 1538 is shown below.



An illustration called Black Death  from the Toggenburg Bible of 1411 shown below.



This icon depicts monks deformed by the plague getting a priest's blessing. (Historiated initial "C")

We don't deal with death through art in a serious way anymore, at least usually not, but Halloween reminds us of the Grim Reaper's presence,which is an idea from Medieval Art that has a popular influence this month.





Monday, October 18, 2010

Unique Poster: Bride of Frankenstein

The single identified Bride of Frankenstein style E film poster is for sale according to artdaily.com. The poster is ablaze in red with the giant monster in chains demanding to know who is going to marry him. The present exhibition is at the Heritage Auctions Beverly Hills. This poster has been in Todd Feiertag's collectanea for over thirty years; this aficionado has collected movie posters for half a century. It is awaiting its auction and will definitely sell for a mint.

The film was a 1935 Universal production; the concept was derived from Mary Shelley's novel published in 1816. John L. Balderston and William Harlbut wrote the screenplay. It took 46 days and about $400,000 to shoot the flick. This was a sequel to Frankenstein of 1931. The director, James Whale, imbued the effect of German Expressionism into the film's imagery and it is seen in the spasmodic steps and arm movement of Frankenstein's bride.

It starts with literary discussion between Mary Shelley, Lord Byron, and Percy Shelley. It is a comic opening. Then it goes into a parody starting at the finale scene of Frankenstein with the windmill on fire. Dr. Pretorius plunges the plot into action and requests the aid of Henry Frankenstein in creating the monster's wife.

Back at the woods, the village folk capture and imprison the monster, though he again flees to the woods. A blind hermit befriends our anti-hero and he learns to speak a few words. When a couple of village folk spot and maul him, the monster runs to a graveyard to hid. He sees Dr. Petorius while inside the crypt and decides to help the doctor get the body parts for his bride.

Henry Frankenstein rejects the request to aid Dr. Petorius in creating the bride, until the mad doctor has Henry's wife kidnapped. Karl, the asisstant to Petorius obtains a heart to replace the unuseable one. Though, Karl murdered a woman and took her heart, he explains to Dr. Frankenstein that he took it from the police morgue.

They animate the bride with electricity at Henry's laboratory. The bride refuses the monster's affections, which incenses him, and he advises Dr. Frankenstein and Elizabeth to flee. He pulls a switch that detonates the castle.

The film's musical score by Franz Waxman threads through the movie's atmospehere accenting the gestures. Originally, there were 21 dead bodies in the film, but due to the outcry of the censors, the count was reduced to 10. The theme of the flick points out the evilness that lurks, waiting to get afoot.
                                                                                                                                      Bride of Frankenstein Cast

Boris Karloff played the monster in the films including Son of Frankenstein that debuted in 1939. Dr. Septimus Pretorious is portrayed by Ernest Thesigner. Colin Clive playes Henry Frankenstein. Valerie Hobson portrays Elizabeth Frankenstein. Elsa Lanchester has a double role playing Mary Shelley and the bride. Lord Byron is portrayed by Gavin Gordon. 

Douglas Walton plays Percy Shelley. Una O'Conner is Minnie. E.E. Clive plays Burgonmaster. The butler is played by Lucien Prival. O.P.Heggie is the hermit. Dwight Frye is Karl. Hans is played by Reginald Barlow and Mary Gordan is his wife. The sheperdess is portrayed by Anne Darling (character name is Ann Darling). Ted Billings plays Ludwig. There are about 30 uncredited characters.