Showing posts with label 1950's. Show all posts
Showing posts with label 1950's. Show all posts

Tuesday, January 21, 2014

What is Film Noir?


By jcstritt at clker.com
Film Noir is a style of movie making that flourished in the 1940's and 1950's. This artistic approach utilized definitive characteristics.

These films were full of heavy shadows that enhanced the mystery, intrigue, and suspense of the story. The dimness and unclear camera angles camouflaged the action and kept the viewer guessing.

The stories sometimes had unreliable narrators. These were crime tales that unfolded through the villain or the detective. They used flashbacks a lot. The atmosphere was gloomy.



The non-linear plot-line was used in some film noir to baffle the viewer. This type of plot line has to be done very well to work in a movie and is more easily adapted to use in a novel.

By OCAL
clker.com

The "femme fatale" was a big part of these films. The term means fatal woman. This stock character would get her paramour into trouble using her feminine wiles, or lying to achieve her goal.

The protagonist in this film genre is a male detective, or a guy outside of the social norm, someone tough and alienated. He is a hard-boiled dude.

There is a crime involved in the story that is either a murder, robbery, or suicide. Murder and robbery together are prominent in these tales.

Those are the basic characteristics of film noir.

A Comprehensive Encyclopedia of Film Noir: The Essential Reference Guide

Monday, January 13, 2014

Why Movie Spoofs?

I've written about movie spoofs several times on this blog. But why spoof movies? Well, its just fun to do. The writer or director that creates a spoof about a science fiction, horror, or western scenario has to like the genre or the making fun of it wouldn't be good natured. That would ruin the comedy.

In turn, the viewer should like the original genre or the comedic nature of the spoof won't be as funny to him. For example, if you are familiar with the 1950's atomic science fiction, then having fun with it will make more sense to you. That's the way I see it. What about you?








Friday, January 10, 2014

The Lost Skeleton of Cadavra (2001)

From wpclipart.com
The Lost Skeleton of Cadavra satirizes the 1950's monster, science fiction, B-movies. The film is independent, low-budget, and originally shot in color and transformed to black and white after production to be in sync with 50's films.

The mad scientist with the insane laugh is portrayed by Brian Howe as the character Dr. Roger Fleming. His imitation of the prototypical mad scientist laugh is very good. The mad scientist character is a concept of the 1920's movie era. His goal is to find the lost skeleton so he can become powerful.

 Larry Blamire plays Dr. Paul Armstrong; he goes into the mountains hunting the scare element called atmosphereum. The doctor correctly thinks that it is in a fallen meteorite. He and his wife Betty played by Fay Masterson epitomize couples of the era as shown in movies.

Further into the movie, Betty does a swoon and is carried away by the monster. This is hyperbole in step with the fainting heroine confronted with a scary or distressing buildup in the plot.

This overstatement of the feminine response to fright or shock was a standard device of the 1950's monster movie plot. The young and pretty heroine strategically drops into the monster's arms, and he carries her away. Movie posters often depicted this image. Today, this device is only seen in spoofs.

The two aliens played by Susan McConnell as Lattis and Andrew Parks as Kro-bar land on earth and need to find (you guessed it) atmosphereum to power their spaceship. They use their transmutatron to look like an earth couple; it basically just changes their clothes. They don't understand earth customs like shaking hands or how to eat. Ditto for 1950's American earth lingo. These misunderstandings create comic effects.

Dr. Fleming watches as the aliens transform themselves and gets the contraption when they leave it behind believing it will be there upon their return. He uses it to change some woods animals into a woman he calls Animala portrayed by Jennifer Blaire. She becomes his "wife."

First, the alien couple go to the cabin to get the atmosphereum. The Armstrongs think the aliens are the landlords that they have never seen before. A funny verbal and body language scene occurs.

Then Dr. Fleming shows up with Animala. She is dressed like a female beatnik and has animal characteristics such as sniffing things, growling, and hunting for crumbs. The two couples spend the night, though the hospitality of the Armstrongs has become tepid. They think the other two couples are very odd.

During the evening, the ranger played by Dan Conroy comes to warn them of the mysterious slaying of a local farmer. The next morning, Animala does a flirtatious dance beatnik style and brings Dr. Armstrong to the skeleton that has been revived with the atmosphereum given to it by Dr. Fleming. The doctor and Animala become typical slaves of the evil skeleton.

But all ends well with the alien and earth couple becoming fast friends and the bad guys losing, and Animala being changed back to animals.

This Larry Blamire spoof is rated 7 out of 10 at IMDb.

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Monday, December 9, 2013

Abstract Expressionism: Jackson Pollock, Willem de Kooning, Wassily Kandinsky

Abstract Expression isn't a favorite style for me. It arose to prominence in the 1940's in New York after World War II and topped in the early 1950's. It was also called action painting.

Jackson Pollack's work is well-known as well as Willem de Kooning and Mark Rothko. There are several other painters known for this style of work that made New York the art center of the western world replacing Paris as the most artsy place to be.

 Jackson Pollack,  Mark Rothko et al were pivotal in shaping the New York art world into the early 1950's. Color field painting emphasized the importance of color as a subject, some critics say Rothko was a color field painter. Personally, I don't care for Rothko's work either.

The American art historian Alfred Barr used the terminology abstract expressionism to describe the work of Wassily Kandinsky in 1929.  His work developed from a more impressionistic approach to an abstract one.  His color and forms are ones that I can relate to, and his work speaks to me as an artist. It is funny how taste has everything to do with what we like no matter the prevailing art movement of a period.

Tuesday, November 19, 2013

The Day the Earth Stood Still (1951) (2008)

The 1950's produced a film load of science fiction movies. Many of them concerned aliens attacking the earth. Some say that this phase of the movies in the United States was an artistic method for dealing with the anxieties of the cold war between the U.S.A and Russia. Films about huge monsters was another part of this overall expression.

The Day the Earth Stood Still  posed a question about the way of life in the U. S. A. during the 1950's. This is in line with literature discussing and examining life, and the original film is an adaptation of the short story "Farewell to the Master" by Harry Bates. The 2008 version works from the first film and the short story.

It is for you to decide which film does the best job of adapting the short story to the movies.  At least, it is up to you to decide which film is the best.

The tomatometer gives the original film 94% and the audience says 85%.  The Day the Earth Stood Still (2008) gets a tomatometer reading of  21% and audience 32%. What do you think? Which one brings the concept across better? You say...


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Sunday, October 6, 2013

Tarantula, 1955: Giant Monster Movie: Jack Arnold

Mean Spider by Kelly at Clker.com
Tarantula is a good example of the 1950's giant monster movie sub genre. It's directed by Jack Arnold and written by Robert M. Fresco and Martin Berkeley. The main stars were Mara Corday, Leo G. Carroll, and John Agar.

In Tarantula, an experiment on giantism goes awry in an outlying desert laboratory. The scientist wanted to find a way to end starvation, but a spider gets infected with the formula. The huge arachnid goes on a free-for-all destructive binge. The setting is in Arizona where the local population panics, of course. After some failed tactics, the populace is saved from further attack, when a jet fighter squadron bombards it with napalm.

 This is the tradition of spider movies from which Big Ass Spider emerges. Below is an interview with Jack Arnold discussing the making of the movie.




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Related Post Bad Ass Spider

Watch Tarantula


This collection includes Tarantula.

2013 Creature Feature: Big Ass Spider:

By OCAL at Clker.com
The giant spider or giant creature concept is a retro 1950's horror or science fiction idea. Big Ass Spider is the new rendition of this theme. It's hitting the U.S.A. theaters on October 18. It's directed by Mike Mendez and the screenplay is by Gregory Griegas.

A huge alien spider  breaks away from a military lab. It goes on a destructive spree around Los Angeles. A canny exterminator cleverly saves the city from total ruin with the aid of his security guard cohort.

The VOD and theater releases are concurrent. 

     The Cast

  • Patrick Bauchau
  • Greg Grunburg
  • Clare Kramer
  • Lombardo Boyar
  • Lin Shaye
  • Ray Wise
                                                        Watch the trailer.

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Tarantula

Wednesday, September 25, 2013

Tales of Fear: EC Comics: Bill Gaines


Tales of Fear is a flick hitting the big screen on 10/31/13. This movie is a tribute to the EC Comics style of story telling and comic art  in the 1950's. Bill Gaines took the helm after his father's death and cranked out profitable tales that got him into trouble and a congressional hearing.

The anthology of six stories runs the gambit of classic horror plots: mad scientist working on reanimation, child killer, weird something hidden in a barn, a hunter gets more than he expected, a woman wonders what's happening next door, and more.

It is a State of Mind Production which is an independent film company out of St. Louis. Corey Logsdon directs this contemporary infusion of classic horror fare. Watch out for a big fright.

 


Tales of Fear Trailer


Lamp in the Night Mug

This is the image that is wrapped around the mug.

Lamp in the Night1
Lamp in the Night  by Deltachord-All Rights Reserved

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Tuesday, January 17, 2012

Pop Art Movement

Pop Art had its own particular focus, which was the contemporary culture, zeroing in on mass media, and advertising. Teenage fashions, popular music, and comic books were part of the 1950's pop art movement, and this continued through the 1960's, wherein, the youth movement and culture became more dominant in society.

It began in England with the Independent Group; these artists attended the Institute of Contemporary Art of  London. The pop artists didn't relate to the art establishment. The art they were interested in belonged to mass culture. Discourse amongst the artists in the Independent Group originated the phrase Propaganda Art.

The styles and ideas of the mass media were employed by pop artists. They dissented from the art
By meloyda at clker.com
vocabulary associated with abstract art. They embraced icons and images in the popular culture and portrayed these in their art, moving away from the esoteric ideas and the superior high and low art attitudes of established art circles.

This art movement popped up in the United States in the 1960's. On this side of the pond, Pop Art was imbued with the upbeat attitude of the 1960's, especially from the beginning until the middle sixties, a more optimistic concept of life pervaded the U.S.A. in popular culture such as the portrayal of American life on TV and in the movies.

Pop Art: Characteristics

These are the attributes of Pop Art: It used advertising images, Hollywood stars, comic book characters, and other mass media subjects to produce art. The work was flat and used vivid colors,  clean lines, parody, and sharp edged painting that defined the style.

Pop artists created record covers and ads for rock bands. This movement was all about consumerism, modern symbols, and urban influence.


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Friday, April 16, 2010

Grace Kelly Wardrobe Shown


Grace Kelly was one of the most stylish actresses of the 1950's and went on to marry Prince Rainier III of Monaco continuing her elegance in a different role. She had a classic look that permeated her life on screen and off.

Some of the hallmark clothes from movies such as To Catch A Thief and Rear Window will be on display at The Victoria and Albert Museum in London from 4/17/10 to 9/26/10. The ensemble she wore when she met the Prince and the glamorous gown worn when she won an Oscar will also be exhibited.

High Society
Rear Window (Collector's Edition)
To Catch a Thief (The Centennial Collection)
Dial M for Murder